Les différends Awards des comics

[fred le mallratAdmin-Man]

Les Eisner Awards de 2011

Best Short Story: “Post Mortem,” by Greg Rucka and Michael Lark, in I Am an Avenger #2 (Marvel)

Best Single Issue (or One-Shot): Hellboy: Double Feature of Evil, by Mike Mignola and Richard Corben (Dark Horse)

Best Continuing Series: Chew, by John Layman and Rob Guillory (Image)

Best Limited Series: Daytripper, by Fábio Moon and Gabriel Bá (Vertigo/DC)

Best New Series: American Vampire, by Scott Snyder, Stephen King, and Rafael Albuquerque (Vertigo/DC)

Best Publication for Kids: Tiny Titans, by Art Baltazar and Franco (DC Comics)

Best Publication for Teens: Smile, by Raina Telgemeier (Scholastic Graphix)

Best Humor Publication: I Thought You Would Be Funnier, by Shannon Wheeler (BOOM! Studios)

Best Anthology: Mouse Guard: Legends of the Guard, edited by Paul Morrissey and David Petersen (Archaia)

Best Digital Comic: Abominable Charles Christopher, by Karl Kerschl

Best Reality-Based Work: It Was the War of the Trenches, by Jacques Tardi (Fantagraphics)

Best Graphic Album — New: Return of the Dapper Men, by Jim McCann and Janet Lee (Archaia), and Wilson, by Daniel Clowes (Drawn &Quarterly)

Best Graphic Album — Reprint: Wednesday Comics, edited by Mark Chiarello (DC Comics)

Best Adaptation from Another Work: The Marvelous Land of Oz, by L. Frank Baum, adapted by Eric Shanower and Skottie Young (Marvel)

Best Archival Collection/Project—Strips: Archie: The Complete Daily Newspaper Strips, 1946–1948, by Bob Montana, edited by Greg Goldstein (IDW Publishing)

Best Archival Collection/Project — Comic Books: Dave Stevens’ The Rocketeer Artist’s Edition, edited by Scott Dunbier (IDW Publishing)

Best U.S. Edition of International Material: It Was the War of the Trenches, by Jacques Tardi (Fantagraphics)

Best U.S. Edition of International Material — Asia: Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)

Best Writer: Joe Hill, Lock &Key (IDW Publishing)

Best Writer/Artist: Darwyn Cooke, Richard Stark’s Parker: The Outfit (IDW Publishing)

Best Penciler/Inker or Penciler/Inker Team: Skottie Young, The Marvelous Land of Oz (Marvel)

Best Painter/Multimedia Artist (interior art): Juanjo Guarnido, Blacksad (Dark Horse)

Best Cover Artist: Mike Mignola, Hellboy, Baltimore: The Plague Ships (Dark Horse)

Best Coloring: Dave Stewart, Hellboy, BPRD, Baltimore, Let Me In (Dark Horse);Detective Comics (DC);Neil Young’s Greendale, Daytripper, Joe the Barbarian (Vertigo/DC)

Best Lettering: Todd Klein, Fables, The Unwritten, Joe the Barbarian, iZombie (Vertigo/DC);Tom Strong and the Robots of Doom (WildStorm/DC);SHIELD (Marvel);Driver for the Dead (Radical)

Best Comics-Related Periodical/Journalism: Comic Book Resources, produced by Jonah Weiland

Best Comics-Related Book: 75 Years of DC Comics: The Art of Modern Mythmaking, by Paul Levitz (TASCHEN)

Best Publication Design: Dave Stevens’ The Rocketeer Artist’s Edition, designed by Randall Dahlk (IDW Publishing)

HALL OF FAME
Judges’ Choices: Ernie Bushmiller, Jack Jackson, Martin Nodell, Lynd Ward
Elected: Mort Drucker, Harvey Pekar, Roy Thomas, Marv Wolfman

Russ Manning Promising Newcomer Award: Nate Simpson

Bob Clampett Humanitarian Award: Patrick McDonnell

Bill Finger Excellence in Comic Book Writing Award: Del Connell, Bob Haney

Will Eisner Spirit of Comics Retailer Award: Comics and Vegetables, Tel Aviv

http://robot6.comicbookresources.com/20 ... more-86338

[donutsMembre de Nextwave]

Les Eisner Awards de 2011

Best Continuing Series: Chew, by John Layman and Rob Guillory (Image)

angelangel321

[fred le mallratAdmin-Man]

Nominés pour 2013 coté Eisner Awards

Best Short Story (Meilleure histoire courte)
“A Birdsong Shatters the Still,” by Jeff Wilson and Ted May, in Injury #4 (Ted May/Alternative)
“Elmview” by Jon McNaught, in Dockwood (Nobrow)
“Moon 1969: The True Story of the 1969 Moon Launch,” by Michael Kupperman, in Tales Designed to Thrizzle #8 (Fantagraphics)
“Moving Forward,” by drewscape, in Monsters, Miracles, &Mayonnaise (Epigram Press)
“Rainbow Moment,” by Lilli Carré, in Heads or Tails (Fantagraphics)

Best Single Issue (or One-Shot) (Meilleur numéro ou one-shot)
Lose #4: “The Fashion Issue,” by Michael DeForge (Koyama Press)
The Mire, by Becky Cloonan (self-published)
Pope Hats #3, by Ethan Rilly (AdHouse Books)
Post York #1, by James Romberger and Crosby (Uncivilized Books)
Tales Designed to Thrizzle #8, by Michael Kupperman (Fantagraphics)

Best Continuing Series (Meilleurs série continue)
Fatale, by Ed Brubaker and Sean Phillips (Image)
Hawkeye, by Matt Fraction and David Aja (Marvel)
The Manhattan Projects, by Jonathan Hickman and Nick Pitarra (Image)
Prophet, by Brandon Graham and Simon Roy (Image)
Saga, by Brian K. Vaughan and Fiona Staples (Image)

Best New Series (Meilleure nouvelle série)
Adventure Time, by Ryan North, Shelli Paroline, and Braden Lamb (kaboom!)
Bandette, by Paul Tobin and Colleen Coover (Monkeybrain)
Fatale, by Ed Brubaker and Sean Phillips (Image)
Hawkeye, by Matt Fraction and David Aja (Marvel)
Saga, by Brian K. Vaughan and Fiona Staples (Image)

Best Publication for Early Readers (up to age 7) (Meilleure publication pour jeunes lecteurs jusqu'à 7 ans)
Babymouse for President, by Jennifer L. Holm and Matthew Holm (Random House)
Benny and Penny in Lights Out, by Geoffrey Hays (Toon Books/Candlewick)
Kitty &Dino, by Sara Richard (Yen Press/Hachette)
Maya Makes a Mess, by Rutu Modan (Toon Books/Candlewick)
Zig and Wikki in The Cow, by Nadja Spiegelman and Trade Loeffler (Toon Books/Candlewick)

Best Publication for Kids (ages 8-12) (Meilleure publication pour jeunes lecteurs de 8 à 12 ans)
Adventure Time, by Ryan North, Shelli Paroline, and Braden Lamb (kaboom!)
Amulet Book 5: Prince of the Elves, by Kazu Kibuishi (Scholastic)
Cow Boy: A Boy and His Horse, by Nate Cosby and Chris Eliopoulos (Archaia)
Crogan’s Loyalty, by Chris Schweizer (Oni)
Hilda and the Midnight Giant, by Luke Pearson (Nobrow)
Road to Oz, by L. Frank Baum, adapted by Eric Shanower and Skottie Young (Marvel)

Best Publication for Teens (ages 13-17) (Meilleure publication pour jeunes lecteurs de 13 à 17 ans)
Adventure Time: Marceline and the Scream Queens, by Meredith Gran (kaboom!)
Annie Sullivan and the Trials of Helen Keller, by Joseph Lambert (Center for Cartoon Studies/Disney Hyperion)
Ichiro, by Ryan Inzana (Houghton Mifflin)
Spera, vol. 1, by Josh Tierney et al. (Archaia)
A Wrinkle in Time, by Madeleine L’Engle, adapted by Hope Larson (FSG)

Best Humor Publication (Meilleure publication humortistique)
Adventure Time, by Ryan North, Shelli Paroline, and Braden Lamb (kaboom!)
BBXX: Baby Blues Decades 1 &2, by Jerry Scott and Rick Kirkman (Andrews McMeel)
Darth Vader and Son, by Jeffrey Brown (Chronicle)
Naked Cartoonists, edited by Gary Groth (Fantagraphics)

Best Digital Comic (Meilleur comic book numérique)
Ant Comic, by Michael DeForge, http://kingtrash.com/ants/index.html
Bandette, by Paul Tobin and Colleen Coover, http://www.comixology.com/Bandette/comics-series/8519
It Will All Hurt, by Farel Dalrymple, http://studygroupcomics.com/main/it-wil ... dalrymple/
Our Bloodstained Roof, by Ryan Andrews, http://www.ryan-a.com/comics/roof.htm
Oyster War, by Ben Towle, www.oysterwar.com

Best Anthology (Meilleure anthologie)
Dark Horse Presents, edited by Mike Richardson (Dark Horse)
No Straight Lines: Four Decades of Queer Comics, edited by Justin Hall (Fantagraphics)
Nobrow #7: Brave New World, edited by Alex Spiro and Sam Arthur (Nobrow)
2000 AD, edited by Matt Smith (Rebellion)
Where Is Dead Zero?, edited by Jeff Ranjo (Where Is Dead Zero?)

Best Reality-Based Work (Meilleur travail basé sur des faits réels)
Annie Sullivan and the Trials of Helen Keller, by Joseph Lambert (Center for Cartoon Studies/Disney Hyperion)
The Carter Family: Don’t Forget This Song, by Frank M. Young and David Lasky (Abrams ComicArts)
A Chinese Life, by Li Kunwu and P. Ôtié (Self Made Hero)
The Infinite Wait and Other Stories, by Julia Wertz (Koyama Press)
Marbles: Mania, Depression, Michelangelo &Me, by Ellen Forney (Gotham Books)
You’ll Never Know, Book 3: A Soldier’s Heart, by C. Tyler (Fantagraphics)

Best Graphic Album—New (Meilleure nouveauté en album)
Building Stories, by Chris Ware (Pantheon)
Goliath, by Tom Gauld (Drawn &Quarterly)
The Hive, by Charles Burns (Pantheon)
Unterzakhn, by Leela Corman (Schocken)
You’ll Never Know, Book 3: A Soldier’s Heart, by C. Tyler (Fantagraphics)

Best Adaptation from Another Medium (Meilleure adaptation depuis un autre media)
Chico and Rita, by Fernando Trueba and Javier Mariscal (Self Made Hero)
Homer’s Odyssey, adapted by Seymour Chwast (Bloomsbury)
Richard Stark’s Parker: The Score, adapted by Darwyn Cooke (IDW)
Road to Oz, by L. Frank Baum, adapted by Eric Shanower and Skottie Young (Marvel)
A Wrinkle in Time, by Madeleine L’Engle, adapted by Hope Larson (FSG)

Best Graphic Album—Reprint (Meilleure republication d'album)
Cruisin’ with the Hound, by Spain (Fantagraphics)
Ed the Happy Clown, by Chester Brown (Drawn &Quarterly)
Everything Together: Collected Stories, by Sammy Harkham (PictureBox)
Heads or Tails, by Lilli Carré (Fantagraphics)
King City, by Brandon Graham (TokyoPop/Image)
Sailor Twain, or The Mermaid in the Hudson by Mark Siegel (First Second)

Best Archival Collection/Project—Strips (Meilleure re-collection de strips)
Alex Raymond’s Flash Gordon and Jungle Jim, vol. 2, edited by Dean Mullaney (IDW/Library of American Comics)
Mister Twee Deedle: Raggedy Ann’s Sprightly Cousin, by Johnny Gruelle, edited by Rick Marschall (Fantagraphics)
Percy Crosby’s Skippy, vol. 1, edited by Jared Gardner and Dean Mullaney (IDW/Library of American Comics)
Pogo, vol. 2: Bona Fide Balderdash, by Walt Kelly, edited by Carolyn Kelly and Kim Thompson (Fantagraphics)
Roy Crane’s Captain Easy: The Complete Sunday Newspaper Strips, vol. 3, edited by Rick Norwood (Fantagraphics)

Best Archival Collection/Project—Comic Books (Meilleure re-collection de comic books)
Crime Does Not Pay Archives, edited by Philip Simon and Kitchen, Lind &Associates (Dark Horse)
David Mazzucchelli’s Daredevil Born Again: Artist’s Edition, edited by Scott Dunbier (IDW)
Wally Wood’s EC Stories: Artist’s Edition, edited by Scott Dunbier (IDW)
Walt Disney’s Uncle Scrooge: Only a Poor Old Man, by Carl Barks, edited by Gary Groth (Fantagraphics)
Young Romance: The Best of Simon &Kirby’s Romance Comics, edited by Michel Gagné (Fantagraphics)

Best U.S. Edition of International Material (Meilleure publication US de matériel international)
Abelard, by Régis Hautiere and Renaud Dillies (NBM)
Athos in America, by Jason (Fantagraphics)
Blacksad: Silent Hell, by Juan Diaz Canales and Juanjo Guarnido (Dark Horse)
The Making of, by Brecht Evens (Drawn &Quarterly)
Monsieur Jean: The Singles Theory, by Philippe Dupuy and Charles Berberian (Humanoids)
New York Mon Amour, by Benjamin LeGrand, Dominique Grange, and Jacques Tardi (Fantagraphics)

Best U.S. Edition of International Material—Asia (Meilleure publication US de matériel internationale asiatique)
Barbara, by Osamu Tezuka (Digital Manga)
A Chinese Life, by Li Kunwu and P. Ôtié (Self Made Hero)
Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)
Nonnonba, by Shigeru Mizuki (Drawn &Quarterly)
Thermae Romae, by Mari Yamazaki (Yen Press/Hachette)

Best Writer (Meilleur scénariste)
Ed Brubaker, Fatale (Image)
Matt Fraction, Hawkeye (Marvel);Casanova: Avaritia (Marvel Icon)
Brandon Graham, Multiple Warheads, Prophet (Image)
Jonathan Hickman, The Manhattan Projects (Image)
Brian K. Vaughan, Saga (Image)
Frank M. Young, The Carter Family (Abrams ComicArts)

Best Writer/Artist (Meilleur artiste)
Charles Burns, The Hive (Pantheon)
Gilbert Hernandez, Love and Rockets New Stories, vol. 5 (Fantagraphics)
Jaime Hernandez, Love and Rockets New Stories, vol. 5 (Fantagraphics)
Luke Pearson, Hilda and the Midnight Giant, Everything We Miss (Nobrow)
C. Tyler, You’ll Never Know, Book 3: A Soldier’s Heart (Fantagraphics)
Chris Ware, Building Stories (Pantheon)

Best Penciller/Inker (Meilleur dessinateur/encreur)
David Aja, Hawkeye (Marvel)
Becky Cloonan, Conan the Barbarian (Dark Horse);The Muse (self-published)
Colleen Coover, Bandette (Monkeybrain)
Sean Phillips, Fatale (Image)
Joseph Remnant, Harvey Pekar’s Cleveland (Zip Comics/Top Shelf)
Chris Samnee, Daredevil (Marvel);Rocketeer: Cargo of Doom (IDW)

Best Painter/Multimedia Artist (interior art) (Meilleur peintre ou artiste numérique en intérieurs)
Brecht Evens, The Making Of (Drawn &Quarterly)
Juanjo Guarnido, Blacksad (Dark Horse)
Teddy Kristiansen, The Red Diary/The RE[a]D Diary (MAN OF ACTION/Image)
Lorenzo Mattotti, The Crackle of the Frost (Fantagraphics)
Katsuya Terada, The Monkey King vol. 2 (Dark Horse)

Best Cover Artist (Meilleur artiste de couverture)
David Aja, Hawkeye (Marvel)
Brandon Graham, King City, Multiple Warheads, Elephantmen #43 (Image)
Sean Phillips, Fatale (Image)
Yuko Shimizu, The Unwritten (Vertigo/DC)
J, H. Williams III, Batwoman (DC)

Best Coloring (Meilleur coloriste)
Charles Burns, The Hive (Pantheon)
Colleen Coover, Bandette (Monkeybrain)
Brandon Graham, Multiple Warheads (Image)
Dave Stewart, Batwoman (DC);Fatale (Image);BPRD, Conan the Barbarian, Hellboy in Hell, Lobster Johnson, The Massive (Dark Horse)
Chris Ware, Building Stories (Pantheon)

Best Lettering (Meilleur lettereur)
Paul Grist, Mudman (Image)
Troy Little, Angora Napkin 2: Harvest of Revenge (IDW)
Joseph Remnant, Harvey Pekar’s Cleveland (Zip Comics/Top Shelf)
C. Tyler, You’ll Never Know, Book 3: A Soldier’s Heart (Fantagraphics)
Chris Ware, Building Stories (Pantheon)

Best Comics-Related Periodical/Journalism (Meilleur journal ou media lié aux comic books)
Alter Ego, edited by Roy Thomas (TwoMorrows)
ComicsAlliance, edited by Joe Hughes, Caleb Goellner, and Andy Khouri, www.comicsalliance.com
The Comics Reporter, edited by Tom Spurgeon, www.comicsreporter.com
Robot Six, produced by Comic Book Resources, http://robot6.comicbookresources.com/
tcj.com, edited by Timothy Hodler and Dan Nadel (Fantagraphics)

Best Comics-Related Book (Meilleur livre lié au comic books)
The Art of Daniel Clowes: Modern Cartoonist, edited by Alvin Buenaventura (Abrams ComicArts)
Marie Severin: The Mirthful Mistress of Comics, by Dewey Cassell (TwoMorrows)
Marvel Comics: The Untold Story, by Sean Howe (HarperCollins)
Mastering Comics, by Jessica Abel and Matt Madden (First Second)
Team Cul De Sac: Cartoonists Draw the Line at Parkinson’s, edited by Chris Sparks (Andrews McMeel)
Woodwork: Wallace Wood 1927–1981, edited by Frédéric Manzano (CasalSolleric/IDW)

Best Educational/Academic Work (Meilleur travail académique ou éducatif)
Autobiographical Comics: Life Writing in Pictures, by Elisabeth El Refaie (University Press of Mississippi)
Comics Versus Art, by Bart Beaty (University of Toronto Press)
Crockett Johnson &Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children’s Literature, by Philip Nel (University Press of Mississippi)
Lynda Barry: Girlhood Through the Looking Glass, by Susan E. Kirtley (University Press of Mississippi)
The Poetics of Slumberland, by Scott Bukatman (University of California Press)

Best Publication Design (Meilleur maquette)
Building Stories, designed by Chris Ware (Pantheon)
Dal Tokyo, designed by Gary Panter and Family Sohn (Fantagraphics)
David Mazzucchelli’s Daredevil Born Again: Artist’s Edition, designed by Randy Dahlk (IDW)
Mister Twee Deedle: Raggedy Ann’s Sprightly Cousin, designed by Tony Ong (Fantagraphics)
Wizzywig, designed by Ed Piskor and Chris Ross (Top Shelf)

http://www.comicsblog.fr/15990-La_liste ... est_sortie

[BenjaamanLegionnaire]

Je prédis une victoire de SAGA et William III

[BiggyMembre du Green Lantern Corps]

Il y a du lourd au niveau des nominations.
Ca se passe comment après? Qui vote et comment?

[BenjaamanLegionnaire]

Il y a du lourd au niveau des nominations.
Ca se passe comment après? Qui vote et comment?

C'est nous qui votons ! Quand là ...

[BiggyMembre du Green Lantern Corps]

Ce sont les fans qui votent?

[BenjaamanLegionnaire]

Ce sont les fans qui votent?

Non il y a un jury

[BiggyMembre du Green Lantern Corps]

Donc c'est pas nous ? :?

[BenjaamanLegionnaire]

Donc c'est pas nous ? :?

Non des professionnels, les trophées sont remis au comic con de san diego

[BiggyMembre du Green Lantern Corps]

Pourquoi me dire que c'était nous? :?

Comment sont choisi les professionnels qui votent? Comme à Cannes par exemple?

[BenjaamanLegionnaire]

Pourquoi me dire que c'était nous? :?

Car on est des pros

Comment sont choisi les professionnels qui votent? Comme à Cannes par exemple?

Je sais pas ..

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